The Institute for Studies on Latin
American Art (ISLAA) supports the study
and visibility of Latin American art.
Explore a pivotal period in the life of Luis Fernando Benedit as he experimented with themes of ecology and systems of control in the context of the vibrant avant-gardes and harsh sociopolitical changes in Argentina.
The exhibition and accompanying publication result from a graduate seminar at CCS Bard supported by ISLAA as part of the ISLAA Artist Seminar Initiative.
By the time Mariette Lydis arrived in Buenos Aires in 1940, she had already visited large parts of the globe, played an outstanding role in Paris, and lived a life worthy of a novel.
The exhibition marks the first time the Venezuelan documentary Trans is shown in New York City.
This exhibition explores a pivotal period of work by Luis Fernando Benedit, highlighting his radical exploration of ecology and systems of control.
Bringing together materials from the ISLAA Library and Archives, Rubén Santantonín: Hoy a mis mirones is among the first exhibitions to focus on the Argentine artist Rubén Santantonín (1919–1969) since his passing. The exhibition and accompanying publication result from a graduate seminar at CCS Bard supported by ISLAA as part of the ISLAA Artist Seminar Initiative.
Georgina Gluzman reviews the career of Mariette Lydis while reflecting on the artist's role as the narrator of her own trajectory.
This exhibition, featuring the 1982 documentary Trans by Manuel Herreros de Lemos and Mateo Manaure Arilla, provides an intimate look at a group of Venezuelan trans women’s experiences, aspirations, and community.